![]() I've actually been planning on writing this for a while, though, ever since I happened to rewatch "Spider-Man: Into the Spider-Verse" and was moved to tears. Hence this revision of my 2018 review for "Spider-Man: Into the Spider-Verse," on the occasion of the movie's recent premiere on Netflix, as well as the upcoming theatrical release of "Spider-Man: Far From Home" next week. And one such responsibility, as a critic, is to admit when you've made a mistake. Yet with great power comes great responsibility. In my 20s, after discovering Rotten Tomatoes, I moved on to other critics (including Salon's own Andrew O'Hehir) and became familiar with the different styles of film criticism, the different ways that one can deconstruct the complex art known as cinema and in so doing create analysis, commentary and even works of literature that will be read by countless people. Growing up I regularly read the reviews of the iconic Roger Ebert, whose opinions on movies read more like verdicts than opinions. ![]() One of the greatest moments of my life was when I started writing movie reviews.
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